DANCE
What is Lindyhop? - Also known as the Jitterbug, Lindy is a lively dance that originated in America in the 1920s. It was THE dance to do to the swing bands of the 1930s and was brought to Blighty by the American GIs during World War II. It was the forerunner of jive.
A resurgence of the dance in recent years has introduced a whole new generation to Lindyhop. Featured on the BBC's Strictly Dance Fever it is gaining in popularity thanks to it's appeal to all ages and abilities. Come along to our fun and friendly classes to experience the dance for yourselves.
HISTORY OF LINDYHOP
Also known as the jitterbug or swing dancing, this exuberant dance is
done to swing music. Originating in Harlem in the late 1920s, the Lindy
Hop developed out of four previously popular social dances: the Charleston,
the Collegiate, the Breakaway, and, according to dance historian Marshall
Stearns, the Texas Tommy. Certain elements of the Lindy can be traced
back to African and early African-American dance forms.
Danced in couples with the man traditionally leading, the Lindy incorporates
steps danced in an unset order as well as improvisational dancing. As
the Lindy became popular in the late 1930s, dance schools created a simplified
six-count basic Lindy. As a performance art, the Lindy may involve choreographed
routines, and acrobatic airsteps.
Most sources agree that the name Lindy Hop became attached to the dance
shortly after Charles Lindbergh completed the first solo transatlantic
flight on 20 May 1927. ’Shorty George’ Snowden, a much-admired
dancer at the time, is credited with naming the Lindy Hop when, shortly
after the momentous event, he was asked by reporters at a Manhattan Casino
dance marathon what dance he was doing. Perhaps Snowden was influenced
by such headlines as "Lindy Hops the Atlantic".
Frankie Manning created the first Lindy airstep and synchronized ensemble
Lindy routines. Earlier he had developed the style of dancing more horizontally
to the floor in order to create a wilder, abandoned effect. The famed
Savoy Ballroom in Harlem was the center of the universe for Lindy hoppers.
Encouraged by Herbert ’Whitey’ White, a Savoy bouncer, Manning
and a new generation of enthusiastic young dancers continued to expand
the vocabulary of floor steps as well as airsteps. This feverishly creative
period was often stoked by a friendly competitiveness among the dancers
for prizes awarded at weekly dance contests held at the Savoy, the Apollo
Theatre, and at the annual Harvest Moon Ball competition in Madison Square
Garden that began in 1935. Impromptu performances for appreciative, often
tipping, Savoy patrons also inspired the dancers.
 Hoc spending her birthday
with Frankie Manning at Jumpin’ at the Woodside, Gloucester.
In the mid-1930s, as the swing music of Count Basie, Benny Goodman, Duke
Ellington, Jimmie Lunceford, and others was embraced by the nation, the
Lindy Hop became the rage among the younger set. From the latter half
of this decade onward, the Lindy Hop was commonly known as the jitterbug.
This enormously popular social dance, as practiced by the masses, might
have lacked the acrobatic airsteps of performance Lindy but not its enthusiasm
or energy.
Whitey began organizing professional dance troupes in 1936. Appearing
under various names, but most often as Whitey's Lindy Hoppers, his groups
toured the globe until World War II; they performed in nightclubs, theaters,
revues, on Broadway (Hot Mikado, 1939; Swingin' the Dream, 1939), at the
1939 World's Fair Hall of Music, in a soundie (a brief film shown in jukeboxes
to accompany the record) with the Duke Ellington Orchestra (Hot Chocolates,
1941), and in several films, including A Day at the Races (1937), Hellzapoppin'
(1941), Sugar Hill Masquerade (1942) and Killer Diller (1948).
These exceptionally talented dancers were known for their frenetic ensemble
routines, uniquely expressive solos, and breathtakingly daring airsteps.
Manning, recruited by Whitey as a dancer, soon became his chief choreographer
as the young man's choreographic and leadership talents became apparent.
Among the many notable dancers in the troupe were Norma Miller, Willamae
Ricker, Leon James, and Al Minns.
The term swing dance became associated with the Lindy as swing music
came into vogue. After the war, swing dancing slowly declined in popularity
as other social dances, particularly nontouch dance types, came into favour
and big bands became too expensive to run and hire.
A revival of swing dance took place in the mid-1980s in Amercia, Sweden
and London, and the revival has continued.
Miss Dawn Hampton began singing and dancing at the age of three while
touring with her family on the carnival circuit. In 1959, at twenty-four,
Dawn moved to New York and started her solo career singing in cabarets
and off-Broadway. Her ability to move audiences from laughter to tears
quickly made her the ‘queen’ of cabaret. In 1964, complications
of surgery left Dawn unable to speak and her doctors said she would never
sing again. Despite their dire predictions Dawn´s spirit remained
strong. She turned to composing and wrote her signature song "Life
is What You Make It". One year later, she returned to the stage dazzling
audiences with her powerful performances. Now in her seventies, Dawn Hampton
is still performing, but it's on the dance floor to the delight of swing
dancers around the world.
Films with Lindyhop
- After Seben – 1929 Short featuring Shorty George Snowden
- Day at the Races – Marx Brothers
- Hellzapoppin’ – shows Whitey’s Lindyhoppers at their
best choreographed by Frankie Manning and Dean Collins & Martha Raye
dancing to ’Watch the Birdie’
- Manhattan Merry-go-Round – musical review with Cab Calloway, Louis
Prima
- Radio City Revels - 1938
- Big Apple (Jittering Jitterbugs) – 1937 Short from Keep Punchin’
- Hot Chocolates (Cottontail) – 1942 Soundie
- Killer Diller – 1948 featuring the Congaroo Dancers
- Malcolm X – 1992 [airsteps are shown in this film as being done
on the dance floor but in reality they were only used in competitions
and demos]
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